Classical Literature · 36 Weeks · For Lucy 悟 & Lucas 空
四書五經 · 因紐特口傳歷史 · 西方經典
A full-year integrated literary studies course: three canons, read with three eyes, differentiated by track rather than by grade.
The Question We Start From
“Every tradition carries wisdom that another cannot hold. The question is not which canon is superior, but how we read with all three eyes.”
三眼观世 · Three-Eyed Seeing for Classical Literature
Three traditions, three core questions — none of them beneath another.
First Eye
Iñupiaq Oral Tradition · Unikkaaqtuat
How do oral stories transmit knowledge, values, and identity? What does it mean to learn through listening, watching, and doing?
Second Eye
Chinese Classical Canon · 四書五經
How do these texts cultivate moral character and harmony? What does it mean to read for self-cultivation?
Third Eye
Western Literary Canon
How do these texts challenge or reinforce power? What does it mean to read critically, and to ask who decided this was a classic?
First Eye · Iñupiaq Oral Tradition · Unikkaaqtuat
Inuit Qaujimajatuqangit — what Inuit have known all along. Knowledge carried by voice, body, and drum.
| Element | Description |
|---|---|
| What it is | Unikkaaqtuat — oral stories passed down through generations, performed and enjoyed by community members across the whole life span. |
| Key forms | Unikkaaqtuat (traditional stories), songs, drum dances, ceremonial performance. |
| Key figures | Sedna / Uinigumasuittuq (the Sea Woman), the Eagle Mother, the animal spirits. |
| Learning method | Experiential learning — children learn by watching, trying, and making mistakes. "You will only learn by both listening and doing things." |
| Values | Inuit Qaujimajatuqangit — what Inuit have known all along: knowledge of land, names, places, and history, held in harmony with people, land, and living things. |
| Purpose | Inumgulnig — to become a whole human being; balance between protection and resilience. |
Key Stories of the First Eye
| Story | What it carries |
|---|---|
| The Sea Woman · Sedna / Uinigumasuittuq | Origin of the sea mammals; relationship and respect between people and the ocean. |
| The Dog Husband | Transformation, kinship, and identity. |
| The Storm Bird | Power, weather, and respect for what is bigger than us. |
| The Messenger Feast | Community, invitation, and gift-giving between villages. |
| Eagle Mother | The origin of the drum, the dance, and the feast — the story that sits under Eagle Drums. |
Second Eye · Chinese Classical Canon · 四書五經
The texts of Confucian education, read for 修身 — self-cultivation — rather than for information.
| Element | Description |
|---|---|
| 四書 · The Four Books | 大學 Great Learning · 中庸 Doctrine of the Mean · 論語 Analects · 孟子 Mencius. |
| 五經 · The Five Classics | 詩經 Book of Songs · 尚書 Book of Documents · 禮記 Book of Rites · 易經 Book of Changes · 春秋 Spring and Autumn Annals. |
| Key figures | 孔子 Confucius · 孟子 Mencius · 朱熹 Zhu Xi. |
| Purpose | 修身 Self-cultivation — reading to become a better person, not only to gain information. |
| Core values | 仁 compassion · 義 righteousness · 禮 ritual propriety · 智 wisdom · 信 trustworthiness. |
| Key principles | 天人合一 harmony with the universe · 孝 filial piety · 誠 sincerity. |
Passages We Read Aloud
Short enough to memorise, deep enough to carry for a lifetime.
| Source | Text | Meaning |
|---|---|---|
| 論語 Analects | 學而時習之,不亦說乎? | Is it not a pleasure to learn, and to practise what you have learned? |
| 大學 Great Learning | 大學之道,在明明德,在親民,在止於至善。 | The way of great learning lies in illuminating bright virtue, in renewing the people, and in resting in the highest good. |
| 中庸 Doctrine of the Mean | 天命之謂性,率性之謂道,修道之謂教。 | What Heaven confers is called Nature; following that Nature is called the Path; cultivating the Path is called Instruction. |
| 孟子 Mencius | 人性之善也,猶水之就下也。 | Human nature tends toward the good the way water tends downhill. |
Third Eye · The Western Literary Canon
A tradition of texts that shaped Western thought — and a tradition of arguing about that list.
| Element | Description |
|---|---|
| What it is | A body of historically significant works from Greco-Roman, European, and American traditions. |
| Key texts | Homer's Iliad and Odyssey; Sophocles and Aeschylus; Shakespeare's King Lear, Hamlet, Macbeth; Plato's Republic; Aristotle's Ethics; Aesop and La Fontaine. |
| Critique of the canon | Criticised for a Eurocentric focus and the exclusion of women and non-Western authors — and best understood as a process requiring continuous revision, not an inherited fixture. |
| Counter-current | Many canonical texts are themselves critical of power, authority, and conventional morality. |
| Key themes | Justice, power, identity, love, death, fate, free will. |
Passages of the Third Eye
| Source | Text | Question it raises |
|---|---|---|
| Shakespeare · King Lear | "Take but degree away, untune that string, / And hark, what discord follows." | Order, hierarchy, and what happens when it breaks. |
| Plato · Republic | The Allegory of the Cave | What is real, and who gets to say so? |
| La Fontaine · Fables | "The stronger man's reasoning always carries the day." | Power dressed up as logic. |
| Homer · Odyssey | The long return home | Journey, cunning, hospitality, and belonging. |
The 36-Week Plan
Six units: what a classic is, then each tradition on its own terms, then comparison, then reading everything with three eyes.
Unit 1 · What Is a Classic?
Where stories come from, how they are carried, and who decides which ones last. · Weeks 1–4
| Week | For Lucy 悟 | For Lucas 空 | Three-Eyed Connection |
|---|---|---|---|
| 1 | What is a story? Where do stories come from? | What is a classic? What makes a text "classic", and who decides? | All three eyes |
| 2 | Oral tradition — telling stories without writing. | The nature of oral tradition — how knowledge is transmitted without a page. | First Eye |
| 3 | Written tradition — what happens when we write a story down. | Written tradition — preservation and change; what writing keeps and what it loses. | Second & Third Eye |
| 4 | Silent listening — an outdoor session; listen to the land. | Nipaitsoq — listening beyond words as a discipline of study. | First Eye |
Unit 2 · Iñupiaq Oral Tradition · Unikkaaqtuat
Sedna, the Eagle Mother, the Messenger Feast — knowledge carried by voice, body, and drum. · Weeks 5–10
| Week | For Lucy 悟 | For Lucas 空 | Three-Eyed Connection |
|---|---|---|---|
| 5 | Introduction to Unikkaaqtuat — what are oral stories? | Inuit Qaujimajatuqangit — "what Inuit have known all along." | First Eye |
| 6 | The Sea Woman (Sedna) — the story of the sea mammals. | Uinigumasuittuq — one origin story in many versions across Inuit Nunaat. | First Eye |
| 7 | Eagle Mother — the origin of the drum and the dance. | The Messenger Feast — community, invitation, and gift-giving. | First Eye |
| 8 | Animal stories — what the animals teach us. | Animal spirits — the relational ethics of living with animals. | First Eye |
| 9 | Oral performance — listen to a story, then tell it yourself. | The oral impulse — relational, experiential engagement through sound. | First Eye |
| 10 | Reflection — what do these stories teach? | Critical reflection — Inuit values and worldview in the stories. | First Eye |
Unit 3 · Chinese Classical Canon · 四書五經
論語, 大學, 中庸, 詩經, 孟子 — reading as self-cultivation. · Weeks 11–18
| Week | For Lucy 悟 | For Lucas 空 | Three-Eyed Connection |
|---|---|---|---|
| 11 | Introduction to 四書五經 — what are the classics? | The Four Books and Five Classics — historical context and transmission. | Second Eye |
| 12 | Confucius and 論語 — who was 孔子? | 論語 — key passages, and what a fragment-text asks of a reader. | Second Eye |
| 13 | Virtues — 仁 ren, 禮 li, 孝 xiao. | Social order — 己所不欲,勿施於人: do not do to others what you would not want done to you. | Second Eye |
| 14 | 大學 The Great Learning — learning to be a good person. | 大學之道 — illuminating virtue, renewing the people, resting in the highest good. | Second Eye |
| 15 | 中庸 The Doctrine of the Mean — balance and harmony. | 中庸 — 天命之謂性,率性之謂道,修道之謂教. | Second Eye |
| 16 | 詩經 The Book of Songs — poetry and daily life. | 詩經 — poetry as moral, seasonal, and cultural expression. | Second Eye |
| 17 | 孟子 Mencius — human nature is good. | 孟子 — the debate on human nature; 性善論 and its critics. | Second Eye |
| 18 | Reflection — what does it mean to be a good person? | Critical reflection — Chinese values and worldview. | Second Eye |
Unit 4 · Western Literary Canon
Homer, Aesop, Shakespeare, Plato — and the argument about the canon itself. · Weeks 19–24
| Week | For Lucy 悟 | For Lucas 空 | Three-Eyed Connection |
|---|---|---|---|
| 19 | Introduction to the Western canon — what is it? | The Western canon — its history and the debate around it. | Third Eye |
| 20 | Greek mythology — stories of gods and heroes. | Homer's Odyssey — the hero's journey and the cost of return. | Third Eye |
| 21 | Aesop's Fables — animals teaching lessons. | La Fontaine's Fables — "the stronger man's reasoning always carries the day." | Third Eye |
| 22 | Shakespeare — stories retold for young readers. | Shakespeare, King Lear — power, justice, and the undoing of a king. | Third Eye |
| 23 | Plato's Allegory of the Cave — what is real? | Plato's Republic — truth, justice, and the shape of a society. | Third Eye |
| 24 | Reflection — what do these stories teach? | Critical reflection — Western values and worldview. | Third Eye |
Unit 5 · Comparing Traditions
Three eyes, three canons: wisdom, virtue, endurance, and the good life. · Weeks 25–30
| Week | For Lucy 悟 | For Lucas 空 | Three-Eyed Connection |
|---|---|---|---|
| 25 | Comparing stories — Sedna, Confucius, and the Odyssey. | Comparative analysis — the same themes carried in different forms. | All three eyes |
| 26 | What is wisdom? How does each tradition teach it? | Epistemological comparison — three ways of knowing. | All three eyes |
| 27 | What is a good person? Values across the traditions. | Ethical comparison — virtue, courage, compassion, filial piety. | All three eyes |
| 28 | What is a classic? What makes a story endure? | Canon formation — who decides what counts as a classic? | All three eyes |
| 29 | What is a good life? Living well, not only knowing well. | Philosophical comparison — human flourishing in three traditions. | All three eyes |
| 30 | Reflection — comparing the traditions. | Critical reflection — three eyes, one humanity. | All three eyes |
Unit 6 · Reading with Three Eyes
Restorative storytelling, building a canon of our own, and the final projects. · Weeks 31–36
| Week | For Lucy 悟 | For Lucas 空 | Three-Eyed Connection |
|---|---|---|---|
| 31 | Read one story from each tradition with three eyes. | Reading with three eyes — applying the framework to a single text. | All three eyes |
| 32 | Restorative storytelling — telling stories that heal. | Restorative storytelling — positionality, narrative, and whose voice tells it. | All three eyes |
| 33 | Creating a new canon — what stories would you include? | Canon formation — who decides, and whose voices are heard? | All three eyes |
| 34 | Project work — build a Three-Eyed Seeing reading. | Project work — research and drafting. | All three eyes |
| 35 | Project work — preparation and rehearsal. | Project work — revision and finalising. | All three eyes |
| 36 | Celebration — share stories and reflections. | Portfolio and presentation — present the year's work. | All three eyes |
Culminating Projects
The same year, two depths — each track finishes with work it can share.
For Lucy 悟
| Project | Description | Eye |
|---|---|---|
| Three Stories Comparison | Tell one story from each tradition; draw what they hold in common. | All three eyes |
| Classic Story Book | Make an illustrated book with stories from all three traditions. | All three eyes |
| Oral Story Performance | Learn one oral story by heart and perform it for the family. | First Eye |
| My Values Book | What values do these stories teach you? Write and illustrate them. | All three eyes |
For Lucas 空
| Project | Description | Eye |
|---|---|---|
| Comparative Essay | Compare how two traditions approach one theme — wisdom, justice, or courage. | All three eyes |
| Canon Formation Analysis | Who decides what is a classic? Include the critique of the Western canon. | Third Eye |
| Three-Eyed Reading Journal | Read one text through all three lenses; document what each eye sees. | All three eyes |
| Restorative Storytelling Project | Write a story weaving elements from all three traditions. | All three eyes |
Key Terms 關鍵詞 · 24 Cards
Every term below is taught in a section of this page — the link jumps to that exact spot, and the button opens the deck.
Unikkaaqtuat
kǒu chuán gù shì
Traditional oral stories, performed and enjoyed by community members across the whole life span.
↑ First Eye · UnikkaaqtuatInuit Qaujimajatuqangit
yīn niǔ tè shì dài zhì huì
"What Inuit have known all along" — wisdom gained from long experience and passed down.
↑ First Eye · UnikkaaqtuatInumgulnig
chéng wéi wán zhěng de rén
Becoming a whole human being — the purpose of education.
↑ First Eye · UnikkaaqtuatSedna · Uinigumasuittuq
hǎi nǚ shén
The Sea Woman, from whose hands the sea mammals came; the story is told in many versions.
↑ Key Stories of the First EyeEagle Mother
yīng mǔ
The being who gave people the drum, the dance, and the feast.
↑ Key Stories of the First EyeMessenger Feast
shǐ zhě shèng yàn
A great gathering of invitation, gift-giving, drumming, and dance between communities.
↑ Key Stories of the First Eye四書五經
sì shū wǔ jīng
The Four Books and Five Classics — the foundational texts of Chinese civilisation.
↑ Second Eye · 四書五經大學
dà xué
The Great Learning — illuminating virtue, renewing the people, resting in the highest good.
↑ Passages We Read Aloud中庸
zhōng yōng
The Doctrine of the Mean — balance, sincerity, and following one's own nature.
↑ Passages We Read Aloud孟子
mèng zǐ
Mencius — the philosopher who argued that human nature tends toward good (性善論).
↑ Passages We Read Aloud詩經
shī jīng
The Book of Songs — the oldest collection of Chinese poetry, full of seasons and daily life.
↑ Second Eye · 四書五經修身
xiū shēn
Self-cultivation — reading and study in order to become a better person.
↑ Second Eye · 四書五經天人合一
tiān rén hé yī
Harmony between humanity and the universe — heaven and human as one whole.
↑ Second Eye · 四書五經canon
jīng diǎn shū mù
A body of texts treated as essential — best understood as a process of revision, not a fixed inheritance.
↑ Third Eye · The Western Canoncanon formation
jīng diǎn de xíng chéng
The process by which some texts are chosen as classics — and others left out.
↑ Third Eye · The Western Canonacademic rationalism
xué shù lǐ xìng zhǔ yì
A curriculum stance prizing classical texts and close reading, in contrast to empiricism's reliance on evidence and inquiry.
↑ Third Eye · The Western Canonallegory
yù yì gù shì
A story whose surface events stand for a deeper idea — as in Plato's Cave.
↑ Passages of the Third Eyerestorative storytelling
xiū fù xìng xù shì
Telling stories in a way that heals, returns voice, and honours many ways of knowing.
↑ The 36-Week PlanDiscussion Questions
Ask these at the table, not on a worksheet.
First Eye · Iñupiaq Oral Tradition
- · How does learning by listening and watching differ from learning by reading?
- · What does the Sea Woman story teach about our relationship with the ocean and its animals?
- · What is the "oral impulse" — relational, experiential engagement through sound?
- · What is the difference between being taught and learning by watching and trying?
- · What does it mean to be in harmony with people, land, and living things?
Second Eye · Chinese Classical Canon
- · Why have 四書五經 stayed central for more than two thousand years?
- · What does it mean to read not for knowledge but to become a better person?
- · What does 仁 mean? What does 禮 mean? Can you have one without the other?
- · Are these classics still relevant today — and to us, here?
- · What does 大學 mean by illuminating virtue, renewing the people, and resting in the highest good?
Third Eye · Western Literary Canon
- · Who decides what counts as a classic?
- · Are canonical texts only the voice of the establishment, or can they subvert power?
- · What does it mean that the canon is criticised for excluding women and non-Western authors?
- · What changes if we treat the canon as a process of revision instead of a fixed inheritance?
- · What is the value of reading a text that challenges or disturbs your values?
All Three Eyes
- · Compare how the three traditions define a "classic" or essential text.
- · How does each tradition understand wisdom? Is it the same thing?
- · How does each describe the ideal human being — inumgulnig, 真人, the cultivated person?
- · Why should we read any of these texts today?
- · How does each tradition relate knowing well to living well?
Resources
Iñupiaq Oral Tradition
- · Unikkaaqtuat — traditional stories, performed and enjoyed across the life span.
- · Sedna / Uinigumasuittuq — the Sea Woman story and its variations across Inuit Nunaat.
- · Inuit Qaujimajatuqangit — wisdom gained from extensive experience.
- · Smithsonian Iñupiaq Language and Culture video lessons (6-part playlist).
Chinese Classical Canon
- · 論語 Analects — Confucius's teachings, read a few lines at a time.
- · 大學 Great Learning — self-cultivation and social order.
- · 中庸 Doctrine of the Mean — balance, sincerity, and the Path.
- · 詩經 Book of Songs and 孟子 Mencius — poetry and the argument for human goodness.
Western Canon & Critique
- · Homer's Odyssey; Aesop's and La Fontaine's Fables.
- · Shakespeare — King Lear, plus retellings for younger readers.
- · Plato's Republic — the Allegory of the Cave.
- · "Voices of the establishment or of cultural subversion?" — the canon debate, and academic rationalism beside empiricism as ways of knowing.
Where This Course Connects
Final Reflection
“Read to encounter three traditions, to understand that reading is for self-cultivation and community as much as for knowledge, to ask who decides what counts as a classic — and to tell stories that heal.”